AUTOSCOPIA

Michael Varcoe-cocks

autoscopia: Michael_Varcoe-cocksMichael Varcoe-Cocks is on Facebook. Join Facebook to connect with Michael Varcoe-Cocks and others you may know. Facebook gives people the power to . . Herbert Public Conservation Project. Michael Varcoe-Cocks • 3 weeks ago. Eugene von Guérard: Nature Revealed. Michael Varcoe-Cocks • 4 years ago. Michael Varcoe-Cocks, Head of Conservation, NGV explores the theme 'The Wilderness' alongside Jae Laffer, examining the work by Arthur Streeton The . Michael Varcoe-Cocks, Head of Conservation, NGV, puts the work in context as a starting point for the evening. Introduced by Simon Abrahams, Head of . Michael Varcoe-Cocks is Head of Conservation at the National Gallery of Victoria . View Michael Varcoe-Cocks's (United Kingdom) professional profile on LinkedIn. LinkedIn is the world's largest business network, helping professionals like . Michael Varcoe-Cocks. Title: Corporate Counsel at Pfizer; Demographic info: London, United Kingdom | Pharmaceuticals. Past: Former Corporate Counsel at . May 11, 2011 . And today we meet the man who's painstakingly cared for and restored some of Australia's most famous paintings. Michael Varcoe-Cocks is an .

Apr 18, 2015 . Michael Varcoe-Cocks, head of conservation at the National Gallery of Victoria, with Frederick McCubbin's The North Wind. Picture: Stuart . Apr 12, 2007 . Michael Varcoe-Cocks So the next step is an elemental composition analysis to try to understand the pigments used in the original painting and . Mar 30, 2015 . Michael Varcoe-Cocks is the Head of Conservation at the National Gallery of Victoria (NGV) where he has been employed as a painting . Michael Varcoe-Cocks, Conservator, National Gallery of Victoria, talks about the treatment of Courbet's The wave c. 1872 and Signac's Gasometers at Clichy . Aug 30, 2014 . MICHAEL VARCOE-COCKS. London. To the Sports Editor: I'm concerned about the young ball handlers who give the players the towels for . Apr 19, 2014. 'needs' of dog owners in favour of the safety and health of those who do not feel the need to parade animals in public. Michael Varcoe-CocksJohn Payne and Michael Varcoe-Cocks – conservators at the National Gallery of Victoria - discuss the x-ray process involved in the restoration of the iconic . Aug 16, 2013 . The burnished surface of the background, which has been recently restored by NGV conservator, Michael Varcoe-Cocks, highlights the crisp .

Mar 7, 2012 . Michael Varcoe-Cocks,. §. Chris G. Ryan,. ‡. Robin Kirkham,. ‡. Gareth Moorhead,. ‡. David Paterson,. † and David Thurrowgood. §. †. Sep 5, 2002. 80, Spring is undergoing another restoration, one that gallery conservator Michael Varcoe-Cocks trusts Streeton would have approved. May 27, 2014 . Michael Varcoe-Cocks responded on 28 May 2014 at 12:06am Reply. Why (!) is it so difficult to work out precisely from anywhere on the . John Payne. Robyn Sloggett. Michael Varcoe-Cocks. Contributions to the Eleventh AICCM Paintings Group Symposium. National Gallery of Victoria, Melbourne . Apr 26, 2015 . Michael Varcoe-Cocks, the National Gallery of Victoria's head of conservation, has worn his best black sports jacket for the occasion – the . Jan 13, 2015 . Michael Varcoe-Cocks, Head of Conservation, NGV, puts the work in context as a starting point for the evening. Introduced by Simon Abrahams . Apr 17, 2015 . Michael Varcoe-Cocks, the National Gallery of Victoria's head of conservation, has worn his best black sports jacket for the occasion - the . 5, I am also grateful to Michael Varcoe-Cocks for information on the Perry family and their business interests. 3 For further information on Eugene von Guerard .

Jun 24, 2007 . The first process of any restoration is pre-treatment documentation, says Michael Varcoe-Cocks, chief conservator at the Ian Potter Centre. Nov 13, 2013. works that may have questionable or undefined provenance in the years starting from 1933,” says NGV curator Michael Varcoe-Cocks. Mar 19, 2015 . Conservation of Ramsay's paintings at the NGV Michael Varcoe-Cocks Ramsay's paintings at the University of Melbourne Alex Ellem. Mar 30, 2015 . Conservation of Ramsay's paintings at the NGV (Michael Varcoe-Cocks) Ramsay's paintings at the University of Melbourne (Alex Ellem). The verisimilar line: The use of infrared in a survey of a group of paintings by Eugene von Guerard - Michael Varcoe-Cocks; Revisiting history: William Strutt's . Jun 14, 2007 . But when Michael Varcoe-Cocks, a conservator with the National Gallery of Victoria, examined it under a microscope, he discovered the words . Aug 6, 2011 . In the words of the exhibition curator, Michael Varcoe-Cocks,. 'In the foreground of a composition… a pragmatic substitution of local forms was . Dec 27, 2011 . Michael Varcoe-Cocks, Conservator of Paintings at the National Gallery of Victoria (NGV), volunteered his expertise in radiography to help .

. the Virgin and Child unframed and under a microscope, they also discussed the work with me; Michael Varcoe-Cocks kindly made the infrared reflectograms. Daryl L Howard, Martin D de Jonge, Deborah Lau, David Hay, Michael Varcoe- Cocks, Chris G Ryan, Robin Kirkham, Gareth Moorhead, David Paterson, David . Nov 13, 2009 . Presented by Michael Varcoe-Cocks, Painting Conservator, NGV. 3. 30pm. Conference program close. Take the opportunity to further discover . Apr 18, 2015 . Michael Varcoe-Cocks, the National Gallery of Victoria's head of conservation, has worn his best black sports jacket for the occasion - the . Jul 8, 2011 . From his sketch books shown at the exhibition and comments by Michael Varcoe- Cocks (NGV) at the symposium it is apparent that in the field . Daryl L. Howard,1 Martin D. de Jonge, 1 Deborah Lau, 2 David Hay, 2 Michael Varcoe-Cocks, 3. Chris G. Ryan, 2 Robin Kirkham, 2 Gareth Moorhead, 2 David . Apr 17, 2015 . Michael Varcoe-Cocks, the National Gallery of Victoria's head of conservation, has worn his best black sports jacket for the occasion. 3 mars 2011 . Michael Varcoe-Cocks, Conservator & Exhibition Co-Curator, NGV said: “This exhibition has provided the opportunity for an unprecedented . .